Evolution from vintage to contemporary haute couture based on a social Essay

Evolution from vintage to contemporary haute couture based on a complaisant and heathenish context - Essay Example... 5 2.2. Christian Dior The New Look and Working elucidate Women . 6 2.3. Social and Cultural Basis of Transformations in Fashion Trends 9 2.3.1. Other Social Impacts on Fashion Trends and Haute Couture 11 2.3.2. The Contribution of Japanese Designers to Haute Couture in Paris .17 2.4. Haute Couture in the Production of Culture and its likeness to Art 19 3. Contemporary Haute Couture Body Concepts, Lifestyle and Media 23 4. Conclusion .. 33 5. Bibliography 35 evolution FROM VINTAGE TO CONTEMPORARY HAUTE COUTURE BASED ON A SOCIAL AND CULTURAL CONTEXT 1. Introduction Haute couture refers fundamentally to fashion created through the artistic expression of the designer, instead of by the dictates of commonly held beliefs and norms re previous(a)d to clothing. By the ripe 17th century, the origins of the haute couture approach emerged in France, the European centre for innovative and richly produced luxury silk textiles. The opulent fabrics form the basis for developing the system of haute couture. From the mid-19th century, Paris based haute couture validated the fashion designer as a creative artist, and not merely a skilled artisan, and established the designers name as an international authority for the design of luxurious, original clothing (Batty, 2008, p.4). The history of modern fashion is traced from haute couture in the late nineteenth century with the formation of the House of Worth, to the present day high fashion apparel created by contemporary designers (Martin and Koda, 1997). The changing fashion trends include the rise of haute couture, demi-couture, pret a porter or read-to-wear, mass production, and the preponderance of street fashion. These changes were accompanied by several complexities and contradictions caused by the brotherly, cultural and art environment of the changing quantify (Martin and Koda, 1997). Thus, in st udying the evolution of haute couture during the twentieth century, it is essential to understand the dynamics between commerce and culture, engineering science and aesthetics, popular culture and pastische, and fashion and anti-fashion at different stages. Later developments in high fashion incorporated elite class and taste with street style, derived from tribalism, popular culture and rebellion against formal modes. According to position (2007), fashion is found to imitate art, which in turn is regarded as reflecting the different paradigms of life. Thus, the social and cultural contexts of the clock play an essential portion in the development of fashion. Fashion was not only an indicator of cultural change it was influenced by many social changes (Batty, 2008, p.11), particularly transformations in gender and class differentiation. Fashion in addition served to create several social changes. The distinction between high fashion apparel and clothing became hazy, and muckle s perspectives altered over time die to technological advancements, ideological transformations and changes in consumerism. From a social history perspective, fashion has contributed considerably but gradually to the liberation of women. It has also played a role in their achieving increased power both as consumers and as producers of goods (Batty, 2008, p.8). Thus, womens willing acceptance of organism targeted by fashion trends